The
latter half of the 80s saw a marked change in music trends fuelled
by MIDI keyboards and the new digital samplers. Synthesizer bands
and the many Hit Factory productions were generating big audiences.
This encouraged more people to get involved in music which greatly
increased demand for instruments and equipment. This in turn,
drove down prices giving musicians access to better quality products
with more features. Although always value for money, Studiomaster
up until now did not have an entry level range of mixing consoles
specifically targeting new bands and singers. As ever this situation
was remedied in Studiomasters unique way by producing the Session
Mix range.
Even though low cost the E.Q., mic pre amps and signal routing
were all genuine Studiomaster. Housed in a road rugged steel case
the final touches to the specification were the record and playback
facility. Every band wants to record themselves and the Session
Mix provided the facility to connect a cassette recorder
(no mini disk at this time) to capture their talent! Today youd
expect to find this feature on any mixer but back then it was
typical of the sort of detail Studiomaster always designed into
a product.
Live
entertainment was not the only growth area. The home studio
was now a reality even for musicians on modest budgets. Half
inch 16 track reel to reel tape machines were affordable as
was the outboard equipment like digital reverbs and signal processors.
Studiomaster has always worked closely with users and quickly
realised that the modern studio need inputs - lots of them!
A typical home studio needed a mixer that could connect multitrack
recorders, MIDI keyboards and sound modules, drum machines,
samplers and one or two mics. The Mixdown console
was the answer. With over 50 inputs on the 8 bus version, it
became the standard for home and small studio recording. Like
all Studiomaster consoles the inputs were expandable, the 3
band E.Q. had not only a mid but a bass sweep control- virtually
not other console used this arrangement. All connectors were
placed on the front panel making patching easy and the logical
control layout helped even the novice get good results.
Mixer
design was now a mastered art so Studiomaster looked at something
new. Dynamics processing, although important, has always been
difficult for the enthusiast to master. Terms like threshold,
attack, release and make up gain can confuse even before the
controls are touched! It was time for a radical new approach
to dynamics processing that would help not hinder the user.
The Intelligent Dynamics Processor or IDP1
was an apt name for Studiomasters first entry into this field.
Being digitally controlled you could simply recall one of the
27 factory presets that suited the application - no controls
to twiddle. The more seasoned user could take advantage of the
100 memories to store custom settings. All the features of pro
studio processors were included and even MIDI control of program
recall.