The
overwhelming success of the Mixdown prompted an up graded version.
Called
the Mixdown Gold, it featured the now very popular MIDI
muting function pioneered in the Series 2 in 1984. The product
success continued and expanded when the Proline Gold joined the
range. The Proline was a slimmed down Mixdown retaining many of
the features in a smaller package and at a lower price. This also
had MIDI muting but as an option.
It could be retro fitted at any time by the user.
Its
not uncommon for a musician to cut his teeth on a Studiomaster
console and as time and money allow move up the range as they
progress. The problem was that after the Mixdown there was nothing
in the range to move to. 8 bus consoles were
now the norm and engineers were after more. A 12 bus console
was asked for and the reply came in the shape of the Trackmix
or later known as the T24. A full size modular
format looked really professional with all the features of Mixdown,
MIDI muting and also designed to take an after market automation
package. Once again the cost of big featured consoles was being
challenged!
With
such a strong MIDI association in the products there had to
be a conversation similar to this- It would be great if you
could trouble shoot MIDI like you can with a multimeter. Simple
problems like being on the right channel would easily be solved.
Had to be because the worlds first MIDI tester
was invented called the MA36. It could be plugged
into any MIDI system and the array of red LEDs told you exactly
what was happening. Still unique today, its simplicity and small
size have retained its popularity in studios and service centres
throughout the world.